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  • 10 Examples of Idyll
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    10 Examples of Idyll

    Examples   /   by admin   /   May 31, 2022

    The idyll It is a short poetic composition that deals with love, friendship or musical duels and has an idealized natural environment as its setting. For example: "Idyll I", byTheocritus (310-260 BC) C).

    The idyll belongs to lyric, because it expresses feelings, thoughts, reflections or moods. Generally, in this type of poem, stories are usually told, which can be told by a storyteller or they can be developed by dialogues either monologues.

    The first idylls were developed in ancient Greece by Theocritus, Bion of Smyrna, and Moscus of Syracuse. These types of compositions were taken up by different Spanish poets, such as Ignacio de Luzán and Lope de Vega, in the 16th, 17th and 18th centuries.

    • It can serve you: Poetry

    Characteristics of the idyll

    • Characters. The characters are usually shepherds or peasants, but they can also be poets or mythological beings.
    • bucolic theme. In general, the central theme is love, but other concepts can also be described, such as lament, the activities of pastoral life, the beauty of space or some topics of Greco-Roman mythology.
    • instagram story viewer
    • Space. The place is described using the locus amoenus, a literary topic that consists of characterizing the countryside or other natural spaces as pleasant and idyllic.
    • Structure. The idyll, generally, is composed of verses of minor art (those that have between two and eight syllables), but, in some cases, it contains verses of major art (those that have more than eight syllables). Also, you can have one or more stanzas, since there are no specific metrical rules for this type of poem.
    • Rhetorical figures. Different rhetorical figures are used in idylls, such as the topography, the hyperbole, the metaphor or the portrait, with the aim of generating an aesthetic effect.

    examples of idyll

    1. Fragment of “Idyll VIII. The bucolic singers, of Theocritus (310-260 a. C.)

    Daphnis the beautiful herded
    His oxen, as is famous, one day,
    And Menalcas, that the cavernous mount
    Taking care of the sheep he wandered,
    He came out to meet her. the hair
    Blonde of both was,
    And neither one nor the other young man
    He was still pointing the bozo;
    In pressing the sonorous flute
    Both were right-handed
    And both to two in the singing masters.
    Menalcas barely saw the single
    Daphnis, thus sweetly said:

    Menalcas.
    Daphnis, guardian of the mooing flock!
    Do you want to sing with me?
    I swear that whenever I insist on fighting
    The certainty of defeating you shelter.

    And thus Daphnis replied to his friend:

    Daphnis.
    Of lanigerous gray shepherd and charm,
    Menalcas, great flautist!
    You will never defeat me even if so much
    Blow, burst your throat singing. (…)

    1. Fragment of “Idyll X. The reapers”, of Theocritus (310-260 a. C.)

    (…) Milon.
    I didn't want to hurt you.
    Reap the harvest, and in honor of your friend
    Sing to us: that you were a musician I don't forget,
    And so the fatigue will be less. (…)

    bat.
    It's dark purple
    And the hyacinth shades black shade;
    But her beauty shines
    On the flowery carpet
    And in the garlands his beauty amazes.

    Of the cytisus the goat,
    And from the goat the wolf walks after.
    of whom the land tills
    to the plow leans
    The crane: your face fascinates me.

    I hope the treasure
    I had Croesus most opulent!
    carved in gold
    Our effigies would see
    In her temple the Goddess of Cythera.

    With a pome or rose
    You would show off the altar before
    And a precious flute;
    Me in a dancer's outfit
    And with shiny new shoes.

    Charming Bombshell!
    What dice are your snow-colored feet
    Your fascinating voice.
    But alas! my light tongue
    To enumerate your graces he does not dare. (…)

    1. Fragment of "Idyll II", from Bion of Smyrna (lived at the end of the 2nd century BC). C.)

    Through a green forest
    of dense thickness
    do never penetrate
    the rays of the sun,
    With nets and reeds,
    And of birds in pursuit
    wandered a beardless
    Sweet hunter.
    sitting in the branches
    From a leafy box.
    he suddenly looked
    To the winged Love:
    Happy boy
    The reeds of him gathered
    And he said in his joy
    With childish candour:
    "Oh what a big bird!
    What prey to make I go!
    There will be no hunters
    Soon which me.
    that I am the most skilled 
    They will say with one voice
    Seeing that in my networks
    Such a bird fell. (…)

    1. Fragment of "Idyll V", from Mosco de Siracusa (lived in the 2nd century BC). C.)

    (...) To the unhappy fisherman
    Sad life in luck fits:
    At home you have the ship
    And the waves by home.
    Of the works of him in payment
    The sea denies him mercedes,
    And their networks can hardly
    Uncertain hunting search.

    To me the leafy banana
    With the shadow of him fascinates me,
    And from the neighboring fountain
    I am flattered by the sweet moan.
    Soft then is my dream,
    Because the farmer does not scare,
    But she numbs and likes
    The pleasant of him crash to hear.

    1. Fragment of “Idyll III. Daphne and Dametas, by Esteban Manuel de Villegas (1589-1669)

    Yo

    Daphne and Dametas came together,
    one goat herder, another cowboy,
    while some graze restlessly
    and the others the sun flees severe,
    which for the most secret breaks
    and which ones, when blowing a light north wind,
    by the pleasant distracted shadows,
    with peace enjoyed, with mercy moved.

    II

    He was robust, yes, Daphne, and young,
    to hard exercise then given.
    Dametas young man, but not so new
    in the business of guarding cattle.
    Govern crooks of tamarisk and holly,
    and each hat crowned
    of wild olive and laurel, and after them,
    brown bags on white collars.

    III

    The lazy idleness, and the severe summer,
    from the heavy nap then grave,
    the whisper of the Zephyr and the river,
    cool the shadow, quarrelsome the bird,
    the extended herd and the goat
    not yet tired of the gentle pleasure,
    in Daphne they occasioned willing voice,
    and in Dametas later voice and response. (…)

    1. Fragment of "Idyll of Don Cándido María Trigueros on the death of Mr. Don Agustín Montiano y Luyando, between the Arcades of Rome, Legbinto Dulichio”, by Candido Maria Trigueros (1736-1798)

    Alexis.
    Amnitas friend, you are welcome:
    when I find myself in your presence,
    my heart widens with joy.
    I have not seen you since that day
    that on the cool banks of the stream
    I heard you sing the sad adventures
    of unhappy Ciane, and her father.

    Amyntas.
    Dear Alexis, be well found;
    here we can search, if you want,
    some hidden and hidden place
    where in the cool shade we sit,
    and we can talk as we please.
    I also with pleasure heard a thousand times,
    your sweet voices: every time I look
    these jungles, I remember how gladly
    I heard you sing in other times
    the just death of Athaliah,
    superb daughter of a superb mother. (…)

    1. Fragment of "Leander and Hero, Anacreontic myth", by Ignatius of Luzan (1702-1754)

    Musa, what do you know?
    the mistakes, the delusions
    the goods and the evils
    of fine lovers.
    Tell me, who was Leandro?
    What God or what evil
    star in the fierce waves
    cut the thread to his life?
    Leandro, whom a thousand times
    the hard exercises
    of the stadium
    of roses and myrtles
    already in the robust fight,
    already with the strong disc,
    either running or swimming,
    skilful, dashing, undefeated,
    he loved hero divine
    beautiful prodigy
    Sesto admired and Abido
    about how many beauties.
    Black hair, proud
    with natural curls,
    neck enhancement
    the candid stoats.
    In proportion and gala
    of face, waist and verve,
    he wanted to flaunt the sky
    careful pilgrims. (…)

    1. Excerpt from "The Absence", by Juan Melendez Valdes (1754-1817)

    From the purple sky
    the shadows chase away
    pink the dawn
    laughing to the ground;
    and Phillies, sore
    from the evil of absence,
    of Otea the valleys
    in tears she waters.
    sweet carnation,
    when she barely counts
    seventeen aprils
    innocent and beautiful,
    in sad solitude
    her youth leaves her,
    that of the Tormes clearing
    she went over to Eresma.
    a rich foreman
    she there she says she tries
    save it, and that Phillies
    forever lose it.
    who to alien taste
    she held her star
    deceive yourself fool
    if she free she thinks.
    frozen old age
    rigorously condemns
    the lush flowers
    of spring.
    The unhappy Phillies
    imagine eternal
    the hours it takes
    good news.
    “Ouch!” he says, and to heaven
    eyes lift,
    his eyes covered
    of horror and sadness,
    "Oh, how much awaits me
    of duels and complaints!
    just thinking about it
    my chest freezes. (…)

    1. Fragment of “Idyll I. Anfriso to Belisa, by Gaspar Melchor de Jovellanos (1744-1811)

    Of Betis lying down
    on the green shore,
    thus the pastor Anfriso
    he lamented one day,
    blaming the contempt
    of the cruel Belisa:

    -Allow the just heaven,
    ruthless nymph,
    that in affliction I cry
    I'll see you some day
    allow of the gods
    the always fair anger
    that with your crying and complaints
    comfort me mine.

    When the one you adore
    mocked and offended,
    you complain to the heavens,
    the mountains and the silvas;
    when your ungrateful face
    discover the ruin
    of raging jealousy,
    of jealous anger;
    and when your eyes
    the homicidal lights
    cares darken,
    sorrows and vigils,
    and the continuous crying
    I looked at them withered;
    then, solaced,
    my sad soul
    you will forget your sorrows,
    its ills and its troubles;
    then the burning cry
    that today waters my cheeks,
    at the sight of your tears
    turn into laughter;
    then the anguish
    that saddens my heart,
    the cravings that afflict you,
    the jealousy that stings him,
    they will be exchanged in taste,
    consolation and joy. (…)

    1. Idyll that is part of a monologue of The Dorothea, by Lope de Vega (1562-1635)

    (...) What do I want that the soul
    crying distilled
    Until with yours
    This unit doubles;

    that since my crying
    Until you die please,
    so sweet thoughts
    They will later be phoenixes.

    In bronze his memories
    With eternal burins
    Love, not with lead,
    Soft paper prints.

    Oh light, you left me!
    when will it be possible
    Let your soul see you again
    And what do you animate this life?

    My loneliness feels...
    But oh!, that where you live,
    Of my crazy wishes
    In sweet peace you laugh. (…)

    References

    • Gonzalez, X. (2018). "Oh sad solitudes!" The piscatory idylls and the lyrical journeys of The Dorothea. Olivar: magazine of Spanish literature and culture, 18(28), e038. https://doi.org/10.24215/18524478e038
    • Germ Manuals. (s.f.). The art of making verses.
    • Montaner, A. (2015). Dictionary of genres and lyrical modalities of Hispanic literature. DOI: 10.13140/RG.2.1.2607.5368
    • Rubio Escudero, C. (2015). Idyll. In Spanish Dictionary of International Literary Terms. Retrieved on May 9, 2022, from http://www.proyectos.cchs.csic.es/detli/sites/default/files/Idilio.pdf

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